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Her hair turn orange, her clothes become cutesy and quirky. Her tone is unmistakably complimentary.Īs her fame increases and audiences around the world start to recognise her, she becomes increasingly unrecognisable to Jackson. “That doesn’t even look like me,” she exclaims as she looks at the portraits. When Ally starts to make a name for herself, a celebrity photographer is hired to take her photos. Such symbolism continues as the film proceeds.
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“The whole point is, I can see your face,” Jackson says as he takes off her stick-on eyebrows. The two first speak when Ally is taking off her make-up backstage. Ally is performing there as a drag queen, hiding behind extravagant makeup, complete with fake eyebrows.Īlly immediately catches Jackson’s attention as she mesmerises him with her soulful rendition of classic French song, La Vie en Rose. They meet at a gay bar where Jackson has ended up only because he needs a drink and the stash in his car has run out. The first meeting between Jackson and Ally perfectly sets up their respective struggles: the woman’s with her appearance, the man’s with substance use. We see her reflection in many shots throughout the running time yet she never looks at those reflections. The story of her body image issues is told beautifully not only in writing but also in the framing of the film. This is because the character of Ally struggles with her appearance and has been told that, while she has the voice of a great singer, she does not look the part.
Aashiqui 2 a star is born free#
The film-makers have made a deliberate choice to highlight this, making the actor look as plain and make-up free as possible. Unlike Barbra Streisand (female lead in the 1976 version) and Judy Garland (female lead in the 1954 version), Gaga does not have what are deemed traditional Hollywood leading lady looks. The real-life pop icon is expectedly sensational in musical sequences but A Star is Born is also a landmark moment in her career as an actor. Even the songs sound like live performances rather than having been recorded in a studio and stuck on top of visuals.Ĭooper manages to show in these songs that not only does he have a knack for direction but for singing too. Owing to this difference, many moments in the film feel raw. It is in this regard that the film is way different from its earlier versions - especially from the ones made in 19 which played very much like classic Hollywood musicals. The camera follows the musicians like it would in a vérité non-fiction film. In many moments, the film feels like a behind-the-scenes music documentary. With substance abuse still being an unfortunate scourge of the music world, the story continues to resonate.Ī Star is Born takes flight thanks in part to the sure-footed direction by Cooper (who is making his directorial debut with it). While its earliest film version, made in 1937, had an aspiring actor and an assistant director at its centre, every subsequent adaptation revolves around two musicians. Yet, the story, originally penned in the 1930s, feels far from being hackneyed. Or, perhaps more likely, you have watched Aashiqui 2 - Bollywood’s 2013 uncredited remake of the same.
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Maybe you have come across one of the three previous renditions of A Star is Born. A famous musician, Jackson (played by Cooper), falls in love with a struggling singer, Ally (assayed by Lady Gaga), and helps her launch her career while himself battling with alcoholism. You probably already know how the story goes.